In 1812, Catherine Paul moved from Greenwich, Massachusetts, with her husband, William, their four sons and William’s widowed mother to the frontier town of Solon, in what would become the state of Maine. There, Catherine sewed this quilt, embroidering it with images of family members and the tower of the town meeting house. It’s part of a new show opening in October at the Museum of Fine Arts in Boston of 58 quilts and bedcovers spanning 400 years of U.S. history, including masterpieces by African American artisans in the rural South, tributes to Civil War soldiers and the transcontinental railroad, and modern works that push boundaries both aesthetic and political. Often patched together from myriad scraps of fabric, quilts have long offered an easy metaphor for the diversity of a sprawling nation. But curator Jennifer Swope argues they can tell plenty of other stories about culture, community and the power of remembrance. “Quilts,” she says, “bear witness.”
Learn more about the Smithsonian’s National Quilt Collection here.